The day I spoke with actors about Visual Effect they told me its not there responsibility as actors to know any thing concerning VFX,
Today I feel sorry for who ever is into acting, as a Pro. with limited research, an knowledge
As an Editor/Vfx personal, I have noticed failure of acting for green/ blue screen,(some don't know what it is) for they fail to visualize the invisible environment
Next is the props, if am telling lies then don't give mi the role of a father... cause am wrong � and fathers don't lie...
Have seen actors who fail to handle a gun props n shooting with the real impact, and to make it complicated, the hardest is DYING of a bullet and corresponding to its impact into the flesh
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During TV and film shoots, filmmakers do what they can to guide actors. A visual-effects supervisor often is present on the set to consult and show "previsualizations" of what a scene will look like. That's a great tool for directors and cinematographers, but actors can't/may not look at it while they're performing. In fact, for battles against CGI creatures, actors might be told: "In 18 months you'll see in a cinema what you were fighting against
It can be especially tricky to get authentic reactions to computer imagery from child actors
Getting crowds to react believably to invisible things is a challenge, too. In the KEMI MOVIE, the Director/D.O.P took a shot that the Make-up Artist hadn't planned for hence couldn't do her Special Effects Makeup of a wound on the baby's head on set, and when the Director locked his picture in post Production and presented it to the make-up artist for confirmation/preview of her work, she noticed that the shot she didn't plan for was used, this tasked the director to find a Visual Effects Personnel to fix the mess,
I was hired to do the job and with my skills and expertise in Visual Effects, Editing and being a Colorist I was able to fix and add a believable wound effect with houseflies in the shot,but as I said, the actor dnt realize this could happen. I did the coloring of the Film being tusked with a great source in the movie. Visual effects professionals can adapt to imprecise acting by creating animations to match what is filmed.
The crucial element for actors staring at green screen or a co-star who isn't there is looking at the right place. A consistent "eye line" is especially important when multiple actors pretend to see the same object so actors have to be kin.
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"It's really important that you're all in agreement. It can't be general agreement. It has to be exact," says Stephen Lang, former co-creative director of New York's Actors Studio, who played Colonel Quaritch in James Cameron's "Avatar." "When I'd be out on my dragon warship, everything's green. Debates would happen as to where this creature is. [Director] Jim Cameron would say 'it's up there.' And I'd look up and point my weapon. And he'd say, 'No, no, a foot to the right.'"
Stuffed animals, puppets, or little models called maquettes sometime stand in for characters that will be drawn in digitally later. Laser pointers or tennis balls attached to sticks can provide moving reference points on the set.
"For a creature that's 10 feet tall, we'll come up with a rig where somebody wears a backpack with a pole and a tennis ball on it 10 feet in the air, to help everybody look in the right place," says Janek Sirrs, visual-effects supervisor on "Terminator Genisys."
So the earlier the better, do research, interact, and be detailed so don't for get to do exercise
Cos am sure a big percentage can't run on green screen for 10mins without changing theme (speed ,facial ,hand and leg movement and maintaining the running spot or where marked with a mark)
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Thank me later
http://www.ochwoemmax.blogspot.com
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